This is The Old Man's Head.
It is a humidor, in which gentlemen
could keep their tobacco.
Nobody in our family knows now where it
came from originally, but for as long as my mother can remember it
stood on the bookcase in the corner of the dining room. When she was
very young she found it terrifying.
My grandfather smoked a pipe, but I
don't think The Old Man's Head ever contained tobacco. Instead, it
was a repository for spare keys, packs of cards, pipe cleaners and
other bits and pieces
My grandparents' dining room was dark
in the way rooms were dark in my childhood. When they set up house in
the 1920s Grandpa ordered hand-carved blackwood dining chairs, dining
table and the huge, glass-fronted blackwood bookcase. All the
woodwork in the room was dark brown. Over the years the walls,
whatever their original colour, had been stained dark brown by smoke
from the fireplace and the gentlemen's pipes. Heavy curtains and dark
brown Holland blinds protected furnishings and carpet from the
afternoon sun.
To me, the Old Man's Head was one more
dark brown object in a dark, brown room.
Years passed. My grandparents died; Mum
inherited both the furniture and The Old Man's Head, which was no
longer scary at all. It remained on the blackwood bookcase in our
house and it remained a repository for spare keys and broken pencils,
but things were stacked around it from time to time and nobody
worried too much whether it was knocked or bumped. The years were not
kind to it.
Late last year my mother moved into a
unit. She took the glass-fronted bookcase with her, but left me The
Old Man's Head. She still doesn't like his eyes.
Not long after taking custody of him, I
was listening to a radio programme in which colonialism and,
inevitably, racism were mentioned. Disgust was expressed at the
insensitivity of colonial overlords who actually owned humidors in
the shape of the heads of so-called inferior races. Horrifyingly
racist. You what?
I rushed off to consult The Old Man's
Head. He looked rather confused and perhaps a bit startled by it all,
but hardly inferior to anyone.
Until then, it had never occurred to me to wonder
which "race", if any, The Old Man's Head is supposed to
represent. It was brown, because everything else in the room was brown; it could just as well have been green or purple.
Although it's comical and slightly
grotesque a high degree of skill has been lavished on the detail,
suggesting it may be a portrait of a specific person. Was it then the
acceptable representative of an entire nation, a generic face like that of Gwoya Jungarai, model for the stereotypical aborigine?
With no idea of its original context, I
have always accepted The Old Man's Head as merely another ornament;
now I have to worry about whether I am perpetuating a racial
stereotype. By keeping it in a conspicuous place in my lounge room do I run the risk of insulting my friends?
Would it still be racist and offensive
if it were green, rather than brown?
Is this stereotypical Toby Jug (made in
Japan, sold in Australia) just as insulting to Englishmen?
Perhaps it is! Alas, racism seems to be like sexual innuendo – start looking for it, and you can find it everywhere.
Having said that, I expect some of the
nineteenth century Englishmen who owned humidors in the form of human
heads did have attitudes towards other people that I would
find totally offensive. But I rather like The Old Man's Head, so I
prefer to imagine that it is its association with the filthy,
disgusting habits of tobacco addicts that is offensive, not the
object itself.
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