VIEW FROM THE LIGHTHOUSE
oil
on canvas 76cm x 50cm
Notable
things on King Island include the tallest lighthouse in the Southern
Hemisphere, herds of dairy and beef cattle and the prevailing winds.
The view from the lighthouse really was stunning, but this was more
fun.
Some cows, and the real view
from the lighthouse
|
Here are some more seemingly
innocuous photographs - and the resulting painting:
beach at Cataraqui |
treasures from the sea |
AFTER THE STORM
40cm x 30cm oil on canvas
Things wash up on beaches during storms, especially when there is so much
ocean beating on the shores.
It's
always worth checking in case there is some wondrous treasure, but
there probably isn't. You are most likely to find vast quantities of
brightly coloured plastic, which does marine life no good at all.
But
it was such a pleasant afternoon strolling along the beach near
Cataraqui Point, gathering odd bits and pieces, many of which will be
incorporated into odd works of art.
WRECKED
50cm
x 40cm oil on canvas
Another
Shipwreck painting. There will probably be some more; disasters are a
splendid source of imagery.
The
tale of the Battle Of King Island has to be one of the strangest and
silliest bits of Australian history.
SCIENTISTS
AND SOLDIERS
50cm
x 46cm oil on canvas
In
December 1802 Nicolas Baudin dropped anchor off King Island. He had
sailed from Sydney Harbour where he had spent several months
refurbishing his ships and now he was back at work, ferrying a party
of scientists (whom he found intensely annoying) around the coast of
Australia.
To
his surprise, Lt Robbins turned up from Sydney a week later to
deliver him a letter from Governor Hunter who claimed to be concerned
about a rumour that the French intended establishing a settlement in
Van Diemen's Land.
Robbins
had obviously been packed off in a hurry to keep an eye on Baudin’s
expedition, and had not had time to take on extra stores. Baudin found
himself having to supply the English officer with canvas,
sail-making tools, gunpowder and other necessities, while Robbins
went ashore with some soldiers and had a Union Jack hoisted above the
French scientists' camp. Baudin thought this pretty poor behaviour
and never invited Robbins to dinner again.
There
are various accounts of this incident in different books; some are
very serious, others treat it as a huge joke and some of the details
seem to get a bit exaggerated. I took my version from Facsimile
edition no. 222 Reproduction of Text from p 1 – p 609 of the
journal of Post Captain Nicolas Baudin, translated from the French by
Christine Cornell. Original publication: 1974. Libraries Board of
South Australia. You can find it
in the State Library.
This is the mouth of the Fraser River, not far from the place where the French expedition set up camp. |
THE
MECHANICS
56cm
x 71cm oil on canvas
I like abandoned landscapes
haunted by former human activity and decaying man-made structures of
forgotten purpose. I'm not sure whether the Mechanics or the Machine
are being threatened here, or whether they're all just going to sit
down together for a nice cuppa.
This
was somewhere on the island. The background landscape was somewhere
else. I made up the figures.
FORGET-ME-NOTS
76cm
x 50cm oil on canvas
The
road from Currie to Grassy was bounded by an exuberant growth of
forget-me-nots, wonderfully blue. This painting probably isn't about
flowers at all, but I wanted the rich forget-me-not-blue background
and while I was there I put in a few just for decoration.
A
broken chimney and a few cement footings are all that remain of the
schoolhouse in Attrills Park at Pearshape. It is a strangely spooky
place, surrounded by dark conifers with a mouldering picnic table in
the middle. Elsewhere I found a vast expanse of feral Arum Lilies,
which are also unsettling en masse. They seemed to go
together.
Hi Elizabeth, A friend and I drove past Pearshape today and were so intrigued by Attrill's park - so much so that I googled it later and found your wonderful painting. You have summed up the feeling in the area perfectly! We also saw the lilies and found the whole area had an eerie feeling. Thanks for sharing your work! Cheers, Nat
ReplyDeleteHi Nat - thank you so much. I'm pleased that you agree with me (always a nice thing). The painting's still in my studio, should you wish to talk somebody into buying you a birthday present . . .
ReplyDeleteElizabeth